Hollywood bet big and bad entrepreneurs

“I’m not a bad person,” Facebook founder Mark Zuckerberg (Jesse Eisenberg) emphasizes at the end of “The Social Network,” a 2010 film that describes a cultural response to young tech billionaires. Zuckerberg’s lawyer (Rashida Jones), who invented a character who worked hard to support Zuckerberg’s personality, assures him that he does not think he is a fool: “You try hard to be one. “

Twelve years later, this ambivalence with titan technology has ceased. The new agreement is that there is something wrong with these. Consider the new season series “Super Pumped,” which highlights the rise and fall of Uber founder Travis Kalanick (Joseph Gordon-Levitt). As Kalanick walks past the technology lab, John Zimmer, the sculptor of Lyft’s explorer, discovers Kalanick’s problem with his ability: “You’re not human enough.”

“Super Pumped” (based on a book by Mike Isaac, a reporter for The New York Times) arrives in the middle of a series of episodes about bad entrepreneurs – a number that reflects the deceptive ideas of early starters as they are attracted. investors to invest in turnover ideas. turns out to be stupid, vicious or deceitful. In Hulu’s “The Dropout,” Amanda Seyfried plays Elizabeth Holmes, the inventor of Theranos who gave the black turtleneck a breakthrough that has developed a technology that can use a single blood test to detect disease. On Apple TV + ‘s “WeCrashed,” Jared Leto plays Adam Neumann, a WeWorkerless shoe maker who sponsored a $ 47 billion project for a cluster of work which he claims to be movements elevate the world.

Even “Creating Anna,” a Netflix series from Shonda Rhimes focusing on SoHo grifter Anna Delvey (Julia Garner), has a profound effect. Delvey, whose real name is Anna Sorokin, floats in the early millennium with the voice of nowhere in Europe, entering the hospital bro Martin Shkreli and Billy McFarland, Fyre fraud Festival, as it tries (but often fails) to convince investors that it is a German heirloom that offers a special club it calls its own name.

The sequel ranged from exhausting (“Inventing Anna” to Delvey’s subtle twist as he raced as he drove to Rikers Island) to the point of panic (when Seyfried faced off mirror and lipstick smeared, it brings the power of story from Joker. Watching them together, they create a global universe of scamming and entrepreneurs coming together in a show of American turmoil. Sprayed by the movie is a movie star playing rich weirdos, maximalist title card demystifying business deals, self-jet rage, question hair makeovers, vomit-merred staff and many self-aggrandizing comparisons to Steve Jobs.

The story lines of these companies are constantly intertwined. In “The Dropout,” Theranos partners discuss a new app that “lets you pay for a car on your phone”; in “WeCrashed,” Neumann watches television as Kalanick is ejected from the Uber board; and “Inventing Anna,” Delvey attorney works through WeWork.

The middle ground often appears to be a suspicious image: While Kalanick recruits abusive workers who want to cause harm, Neumann calls his staff deceitful to “build tomorrow.” As Holmes manually lowers his voice in order to have a male presence, Delvey uses a voice-activated app to imitate the German manager of unreliable funds. All of their treasures are similar to the fiery version of Hieronymus Bosch’s “World Pleasure Garden,” where dreamers make their way into the jungle before plunging into destruction.

Many of these topics are already well-known. Although the news of the company’s passing has attracted the media and entertainment industry for a long time, news coverage has never been as fast (and fast) as it is now. Since Holmes’ statement was unveiled as a fantasy in The Wall Street Journal in 2015, for example, his fall has been reversed by long-term book releases, various podcasts, long-running HBO newscasts, online music commercials, Dropout “and, perhaps one day, the film stars Jennifer Lawrence, who remains in development.

“Social Network” covered the start of Facebook in just two hours, but this new class is updated from the hourly minutes per week. Even as the demonstrations cast doubt on the thinking technology bubble, they are working to blow their own bubble, while increasing shovel promotion work invests in a reward system for seduction. who watch and chase competitors. They feel like they are playing the game in the same way: intelligence has been thoroughly tested in recent rumors, hired celebrities to imitate the players, put the story in order the system is short (perfect length to promote sharpness, perfect precision). to lock up active festival-goers and support the budget), so hopefully subscribers will not cancel later.

While HBO’s “success” has used the sitcom’s adaptive power to replenish its unsatisfactory business history, turning over and adjusting its chess board at all times, a limited system is seen. and its unchanging arc. It continues as a moral game, as well as a determination to reflect the lessons learned. These show the simultaneous sequence in the same form by a single zeitgeist, and they come to a similar conclusion. One is that the line between scammers like Delvey and titan like Kalanick is thin, and all systems of power are involved in their rise. As one character put it, “Inventing Anna” puts it clearly, saying Shondaland: “Everyone is dancing. Everyone here should get a mark. Everyone is shaking. “

But while “The Social Network” shows Zuckerberg humbled by the dramatic upheaval of the early days, these scenes show that some people are being drawn there. because they are merciless egomaniacs. The system rewards them – “is stupid,” Masayoshi Son, president of SoftBank, advises Neumann – as long as company prices rise. This problem comes only when the misconduct of the chief attracts the attention of unscrupulous journalists and threatens to damage the market and shock the economy of the operators.

Too often, misconduct affects the abuse of women. As Tim Cook (Hank Azaria) of Apple warns Kalanick (the man thought it was a good idea to say “Boober” to a journalist), women are the “canary and coal mine” of the company. . While “The Social Network” argues that Zuckerberg started Facebook in a negative (and exaggerated) misogyny, sex is now increasingly being explored as a character of the art industry and noise defines behavior – a weakness that threatens to overthrow bad men and, at times, elevate bad women. . In “The Social Network,” women are left in the company of a madwoman or a beautiful school, and while this may reflect the chauvinism of Harvard in Silicon Valley, it strengthens it. The refreshing development of these new stories is that women are also allowed to indulge in violence in the history of the world, often under the guise of fighting the lust.

Holmes arose by promoting the interest of, in an article entitled, “Old White Men,” but also by presenting himself as a female champion who emphasized feminist uplifting and, laugh, fighting the scourge of “impostor disease.” “WeCrashed” gives equal time to woo-woo Neumann’s wife, Rebekah Paltrow Neumann (Anne Hathaway), who announces the company’s return to women will help men “show their calling in life,” and show the her from her husband’s company. firing workers on “bad energy” and starting WeWork schools to teach children to become well-known entrepreneurs. In Arianna Huffington’s “Super Pumped” character Uma Thurman plays as a suspicious co-worker who insults Kalanick – “Travis and I share a rare human connection in this world of men built, “she purrs – and rose up in the industry like other women noses.

Thurman characters like Arianna Huffington and Travis Kalanick – that sounds like a Hollywood word salad, but it’s catchy. One of the attractions of these films is the difference in curbing what they produce when assigning movie stars to titles and stories. While we may be well aware, say, Elizabeth Holmes, we have not seen her story spoken by an actor, and Hollywoodification promises to reveal what a newspaper can not always provide. : understanding of what is wrong with it. Seyfried plays Holmes as an enthusiastic, outgoing, weak and ruthless person before the cold, action-packed and irrational. I do not know how true the painting is, but I think an intelligent actor like Seyfried, Holmes may seem more complex than he actually is.

In recent years, the lack of capital venture capital has eroded the cryptocurrency spectrum, and now crypto news is being translated into content even faster than their predecessors. Within days of the arrests of Ilya Lichtenstein and Heather Morgan, dubbed “Bonnie and Clyde of Bitcoin” and accused of plotting to embezzle billions, the story was chosen for the series. It was developed by Forbes Entertainment, a production arm of financial journalism that until recently allowed Morgan to pontificate on his website as a ForbesWomen columnist, giving him “advice” expert to protect companies from cyber criminals. ” That was the latest controversy in the Hollywood IP gambit: Help build a myth, and then make a fall show.

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